This is a poem by Billy Collins, an amazing contemporary poet whose work I greatly admire. One of those rarities of rarities in the US, a poet who earns enough writing poems to make a living. Those familiar with Emily Dickinson and her work will appreciate the deep artistry here, but you don't have to be familiar with Emily to enjoy this. It's a great poem on several levels.
Taking Off Emily Dickinson's Clothes
First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.
Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer's dividing water,
and slip inside.
You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.
The complexity of women's undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.
Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything -
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.
What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.
So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset
and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that reason is a plank,
that life is a loaded gun
that looks right at you with a yellow eye.
This site has a bunch more Collins poems, if this one has just wet your beak.
2 comments:
I went to Amherst College, have been to Emily Dickenson's house. My roommate was an English major who wrote a lot about her then, and since, in his role as English prof.
I've heard Billy Collins read his poetry, love his wit and wisdom. I tried to find one I loved hearing, about his dog. Couldn't, in my brief attempt. But I also heard him read this, which I liked:
Forgetfulness
BY BILLY COLLINS
The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read, never even heard of,
as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.
Long ago you kissed the names of the nine muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.
Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue
or even lurking in some obscure corner of your spleen.
It has floated away down a dark mythological river
whose name begins with an L as far as you can recall
on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.
No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.
I found the one I was looking for:
The Revenant
I am the dog you put to sleep,
as you like to call the needle of oblivion,
come back to tell you this simple thing:
I never liked you–not one bit.
When I licked your face,
I thought of biting off your nose.
When I watched you toweling yourself dry,
I wanted to leap and unman you with a snap.
I resented the way you moved,
your lack of animal grace,
the way you would sit in a chair and eat,
a napkin on your lap, knife in your hand.
I would have run away,
but I was too weak, a trick you taught me
while I was learning to sit and heel,
and–greatest of insults–shake hands without a hand.
I admit the sight of the leash
would excite me
but only because it meant I was about
to smell things you had never touched.
You do not want to believe this,
but I have no reason to lie.
I hated the car, the rubber toys,
disliked your friends and, worse, your relatives.
The jingling of my tags drove me mad.
You always scratched me in the wrong place.
All I ever wanted from you
was food and fresh water in my metal bowls.
While you slept, I watched you breathe
as the moon rose in the sky.
It took all my strength
not to raise my head and howl.
Now I am free of the collar,
the yellow raincoat, monogrammed sweater,
the absurdity of your lawn,
and that is all you need to know about this place
except what you already supposed
and are glad it did not happen sooner–
that everyone here can read and write,
the dogs in poetry, the cats and the others in prose.
You can see and hear him read this, and another dog poem here.
I'd add that I like the quote on your site, by Edward Zehr.
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